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	<title>Share Free Music</title>
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	<description>netlabels and creative commons music</description>
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		<title>Research: PDF</title>
		<link>http://sharefreemusic.org/2011/12/research-pdf/</link>
		<comments>http://sharefreemusic.org/2011/12/research-pdf/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 04:26:44 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=571</guid>
		<description><![CDATA[My name is Adam Porter. I am a graduate from the Masters program in Professional Media &#38; Media Management at SIU-C. My media interests include audio production, recording engineering, MIDI programming, collage, sound art, multimedia editing, web design, and new media studies. This is my final research thesis on music copyright, new technologies, and how [...]]]></description>
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		<title>Research: Conclusions</title>
		<link>http://sharefreemusic.org/2010/04/research-conclusions/</link>
		<comments>http://sharefreemusic.org/2010/04/research-conclusions/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 04:44:16 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[Conclusions]]></category>
		<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=532</guid>
		<description><![CDATA[There will never be a shortage of musicians willing to create new music. The argument that file sharing will lead to less music being created is an unjustified claim. The physical product containing the music was the scarce good in the model, and that is what music customers were really paying for. But now, distribution [...]]]></description>
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		<title>Interview: Peppermill Records</title>
		<link>http://sharefreemusic.org/2010/04/interview-peppermill-records/</link>
		<comments>http://sharefreemusic.org/2010/04/interview-peppermill-records/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 04:34:41 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[netlabel]]></category>
		<category><![CDATA[peppermill]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=529</guid>
		<description><![CDATA[Peppermill Records has been around since 2006, and takes a unique approach to the netlabel model, stressing collaboration among artists. I recently talked with Peter, owner of Peppermill. He has some wonderful ideas, and really elaborated on some of my questions. Check out the interview, then go download some free music from the Peppermill site, [...]]]></description>
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		<title>Research: Creative Commons Music</title>
		<link>http://sharefreemusic.org/2010/04/research-creative-commons-music/</link>
		<comments>http://sharefreemusic.org/2010/04/research-creative-commons-music/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 04:29:33 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[CC Music]]></category>
		<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=517</guid>
		<description><![CDATA[Netlabels provide a great model for analyzing CC music on the Web, but they are by no means the only distribution channels for CC-licensed music. Many individual artists are bypassing any sort of label structure at all and releasing their music for free on the Internet, either through their own personal websites or through one [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Research: Netlabels</title>
		<link>http://sharefreemusic.org/2010/04/research-netlabels/</link>
		<comments>http://sharefreemusic.org/2010/04/research-netlabels/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 04:17:24 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[netlabels]]></category>
		<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=513</guid>
		<description><![CDATA[During the early to mid-1980&#8242;s, a collective of primarily teenage boys “formed possibly the earliest transnational networked digital subculture that centered around creating artifacts: the demoscene” (Carlsson, 2009, p. 16). The demoscene is essentially a subculture of hackers, computer programmers, and musicians who make “demos,” or audio-visual presentations that run on a computer. This networked [...]]]></description>
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		<title>Research: Free Culture</title>
		<link>http://sharefreemusic.org/2010/04/research-free-culture/</link>
		<comments>http://sharefreemusic.org/2010/04/research-free-culture/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 04:01:36 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[Creative Commons]]></category>
		<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=503</guid>
		<description><![CDATA[When the means of production and distribution become available to everyone with a computer and a little bit of creativity, as mentioned before, there become possibilities for building large pools of works that benefit culture. However, under current copyright law, many of the things that users would like to do with these creative works would [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Research: Music Industry (Post-Web)</title>
		<link>http://sharefreemusic.org/2010/04/research-music-industry-post-web/</link>
		<comments>http://sharefreemusic.org/2010/04/research-music-industry-post-web/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 03:50:49 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[Recorded Music (Post-Web)]]></category>
		<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=496</guid>
		<description><![CDATA[Access to the means of production and distribution is now not limited to only the major labels and publishers, but rather available to anyone with a computer, some free software, and an Internet connection. Some scholars argue that this is a good thing, as it has empowered independent artists and musicians, enabling them to avoid [...]]]></description>
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		<title>Research: New Digital Technologies</title>
		<link>http://sharefreemusic.org/2010/04/research-new-digital-technologies/</link>
		<comments>http://sharefreemusic.org/2010/04/research-new-digital-technologies/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 03:36:17 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[New Technologies]]></category>
		<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=488</guid>
		<description><![CDATA[The history of the Internet can be traced back to 1957, when the USSR launched Sputnik, the first artificial earth satellite (Anderberg, 2007). In response, the US Department of Defense created the Advanced Research Projects Agency (ARPA) to increase science and technology research as related to military advancement (Kristula, 1997). In 1962, Paul Baran of [...]]]></description>
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		<title>Interview: Phlow Magazine</title>
		<link>http://sharefreemusic.org/2010/04/interview-phlow-magazine/</link>
		<comments>http://sharefreemusic.org/2010/04/interview-phlow-magazine/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 02:42:31 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[mo]]></category>
		<category><![CDATA[moritz sauer]]></category>
		<category><![CDATA[netlabel]]></category>
		<category><![CDATA[phlow magazine]]></category>
		<category><![CDATA[podcast]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=478</guid>
		<description><![CDATA[I recently had a Skype chat with Moritz &#8220;mo.&#8221; Sauer of Phlow Magazine. He goes into great detail on several issues relating to free music and netlabel culture. Take a listen to the interview, and make sure to head over to Phlow for the best in netlabel news and reviews! Interview with mo. of Phlow]]></description>
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		<title>Research: Recorded Music (Pre-Web)</title>
		<link>http://sharefreemusic.org/2010/04/research-recorded-music-pre-web/</link>
		<comments>http://sharefreemusic.org/2010/04/research-recorded-music-pre-web/#comments</comments>
		<pubDate>Sun, 04 Apr 2010 18:02:09 +0000</pubDate>
		<dc:creator>sharefreemusic</dc:creator>
				<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[Research]]></category>

		<guid isPermaLink="false">http://sharefreemusic.org/?p=459</guid>
		<description><![CDATA[Sound recording first became possible in 1877 with Edison&#8217;s phonograph invention, a wax cylinder player that could be recorded onto by the user (Morton, 2006). However, for roughly the first twenty years after Edison&#8217;s invention, the phonograph mainly served as a dictating machine and a scientific tool (Gronow, 1983). One author claims that the recorded [...]]]></description>
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